The Phantom Of The Opera Club
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I actually can't see it as a sequel to any version but especially not to the film. "The true feelings of Christine and the Phantom are revealed in LND!" I'm a die-hard E/C shipper but still I genuinely react with: Fuck no. Forgive me the strong phrasing but I love logic very much as well as the depth of their relationship which LND completely shits over.

Then someone comes saying LND isn't a sequel to the film but to ALW's PotO. But also that the film and the stage play are exactly the same thing. (Contradicting much?) Well, officially they are not exactly the same thing:

Andrew Lloyd Webber:...
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Masquerade!
Masquerade!
Hi everyone, it's been coming to 9 years since I watched the musical in Singapore. I have always want to write this review of the stage version since I had did a comparison on both the movie and stage version!

The Staging

I was stunned by the staging because it was such a spectacular, colourful and whimsical, I also like how each scenes represent dark & light throughout the musical. It was like bringing the realism of what it's like of Palais de Garnier, on which the story is set.
One of my major disappointments was that I did not sit in front where the dramatic chandelier came crashing...
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Erik, Dracula, Frankenstein, the Bride, Wolfman, and Beetlejuice perform random rock numbers redone with a monster theme. It's cheesy but fun.
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Christine kisses Erik, who pretends to fulfill a promise but tells a devastating lie. She agrees to marry him in the book, giving up HER dreams. her COMPASSION is her STENTGH. The book was about a women's right to marry who she chooses.
"The Phantom of the Opera" is feminst Raoul follows her to her Father's grave for no reason when he says the Angel of Music isn't real he is being overprotective When Christine knows the truth he is someone to go to for support. He can't save himself from Erik's torture chamber! The Persian was the first Arab character I saw post-9/11. He was heroic, intelligent,...
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Source: Senses of Cinema
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What Annoys Me About The Phantom of Manhattan by Frederick Forsyth

All of the Leroux-bashing:

In the Preface, Forsyth repeatedly points out errors in Leroux’s novel, most of which are trivial and pointless (OMG! He said the chandelier was heavier than it really was! Shun Leroux!). And he keeps pointing out how Andrew Lloyd Webber “fixed” the errors, which brings me to…


Treating Andrew Lloyd Webber’s version like its perfect and the only “right” one:

Andrew Lloyd Webber’s stage show isn’t perfect. That being said, some parts of it were better in his version than in Leroux’s,...
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